Illustration Friday: Urban

It's Illustration Friday!
Every week, the website Illustration Friday posts a word and invites everyone to submit their illustrations for all to see. 

The word this week is URBAN. Since I've been pulling many all-nighters this week. I'm going into my archives for this week's image.

This image is from a children's book I was working on long ago, but never published. I was experimenting with altering images from NYC as the background. The character, Lil' Mouse, was painted digitally and shaded on top of the abstract images of the city. I did about 8 pages of the story before moving on to another project. (One of the reasons for dropping the project was the concern of owner's rights to the original NYC photos I used and manipulated.)

Cover to a children's book concept using abstract photos of NYC merged with digital characters and type.
The background used here was an image of NYC's Time Square.

Want to see more images of what others are doing with the word?
Have an image you want to show everyone else? Then go here: Illustration Friday

Daily Quick Sketch: Charley

This is a character for a children's story I plan to do next year. The setting will be in a very snowy area where she and her brother encounter a very strange . . . "thing". (I have her brother sketched up too - maybe I will post him this weekend.)

Charley: Quick sketch done in ArtRage 4.0.2.
Copyright ©2013 Arrrggghhh Ink Publishing

The difficult thing lately is that I have been dealing with too many ideas at once. I've over ten stories that I constantly juggle and visualize in my mind, especially when going to sleep. Occasionally, I'll get an idea to improve a book, envision a whole new story concept or visualize a new character in my imagination. Many times, if I don't get these ideas down on paper, they are quickly forgotten.

I don't plan on working on the story that Charley is in until early next year. Yet, I can't let the image of her dissolve away. So, doing a quick sketch of what I imagined and putting it down on paper (and this blog) will help assure that Charley will be there when I finally need her character.

Daily Quick Sketch Video: Lumpy Bumpy Monsta

I've always enjoyed see others showing their creative techniques . . . so I'm going to start posting videos of my process of digital sketching/painting.
If people seem to enjoy this, I'll be sure to post more.

Update: Few people had been asking what I used and how I did this:

Daily Quick Sketch: LB Monsta

I thought I'd test out my new upgrade of ArtRage Studio Pro (now version 4.0.2). Using one of my oldest characters, I tried the new interface using the soft pastel settings in the program on rough canvas background. I still need to work out the kinks of using the upgraded version with it's changes.

My Alien/Dinosaur character: Lumpy Bumpy Monsta

To anyone who is looking for a powerful art program for a great price, check out ArtRage Pro. They have a trial program on their site with giving it a try. (The program is even available via Steam if needed.) The user interface is nice and compact compared to Painter. Painter & Photoshop have much more control, but ArtRage allows you to simply get into your work.

AND, when comparing ArtRage to Painter or Photoshop, you can't beat the price . . .
The upgrade was only about $25. For those new to the program, you'll need a good stylus and a copy of the 4.0.2 Artrage Studio Pro program will only cost about $50.

Images from da Ol' Creaky Hard Drive: Bobby

Digital watercolor base with color pencil lines (Painter 12)

I have an old, external hard drive that sounds like it is on its last leg. I can hear the ball bearings starting to rattle inside the casing . . . so, I've been backing everything that's worth saving onto another drive.

What's strange is finding images on the drive that I don't remember making . . . ( I do find this happening more often as I get older.)  I'm pretty sure I did these images . . .
yea . . . pretty sure . . .

This image is one of those test sketches I was doing last year when I was making my children's book. I do remember making quite a few test sketches, trying different styles and looks -- but time was the key back then. To do the entire book in a more painterly style would have easily added another month to the workload.

I really wanted a sketchier style to the book, but I was concerned on how to control the pencil line details.  Transferring pencil lines to print is tricky and risky; it's very easy to lose many pencil strokes when scanning into a computer.  Since this was to be my first major self published book . . . I wanted no risks taken. The final decision was to go with heavy ink lines and spot coloring, making it a very cartoony-looking style.

Publisher's Weekly Review! (Updated)

Just found out today that my first children's book, Bobby's Biggest Bubble, was selected and reviewed by Publisher's Weekly and printed in their bi-monthly magazine for independent publishers called PW Select. Too exciting!

Cover to the PW Select Feb 2013 Magazine

Above: clipping of the book review from PW Select magazine

Update:

Adding direct link to the review on PW's website:

http://www.publishersweekly.com/978-0-9857628-0-3

Character Development: Using What Worked in the Past

For a long time, I've needed to develop a witch character for my upcoming eBook, "Bladimir Blarfarg and the Worm Wire Glasses". Making a good cartoon witch character isn't easy, especially when its a story for children.

The character of Witch Nazel needs to be a kind, helpful and happy witch. She is a crucial character to the story so she can't be too ugly because children would hate her. She shouldn't be too cute and pretty - that would make her more of a fairy then witch.  And since I always want to write humorous stories that make children laugh, she MUST be funny. Knowing these features I needed for the character, I still struggled to put it all together and get the right look.

One of my many Witch sketches: This one was too thin and lanky to use.

I noticed I was making my witch sketches too thin and tall. Thinking how Witch Nazel would interact with Bladimir, (who's a short stocky monster), I realized the layout needed to be more compact. Most picture book eBooks are read horizontally then vertically. So I needed short, stocky and funny . . . that's when I remembered an old favorite character of mine: Chef Gordon Baloo.

The transformation of creating Witch Nazel from key features of an old favorite, Chef Gordon Baloo.

Chef Gordon Baloo was a character I created long ago. I have always loved the look of this character and have made cartoons, animation clips and one of my old website's used him as a company mascot. So the answer was easy, take Chef Baloo's best features and dress him up as a witch.

Witch Nazel was born . . .

Bobby's Biggest Bubble: The Doggie Story

Those who have read my first children's book, Bobby's Biggest Bubble, should already know that I put a little secondary story inside the book. The two dogs in the book, Woger and Oggy are having their own little adventure as Bobby's story is told. Woger is the bigger dog whose constantly watching his mischievous little pal, Oggy.

Seen here is Bobby's dog Woger (left) and Otter's dog, Oggy (right) having their own little adventure.

I knew I wanted supporting characters in the story, but I didn't want a lot of dialogue. So what better then to use two cute dogs following the boys in the adventure. The dogs don't need to talk. Kids love animals. Win, Win.

Then it occurred to me, these dogs could have their own tiny adventure in the background.

As Bobby's is creating his biggest bubblegum bubble -- Oggy starts chewing on a few spare gumballs and creates his own bubble. The major difference? Little Oggy starts to float away with his bubble.

Woger, the ever faithful pup, is always seen watching Oggy as he floats away higher and higher. But by the story's ending, something happens and it all comes around full circle. Oggy is seen safely back down on earth, (though stuck up in a tree.)

It was surprising to find that many children saw this secondary story immediately. I thought it might be something they would find on the 3rd or 4th reading. But many parents tell me that their children loved seeing Oggy floating in the background. Children like to search for Oggy before the page is read to them.

Roger and Oggy will return along with Bobby and Otter in the book's sequel: Bobby's Ginormous Jelly set for release by Fall 2013.

The Importance of the Re-Write!: Intro

RE: Bobby's Biggest Bubble and its Re-Writes
Before finally printing my first book last year, I gathered all the past information and images I could find. Some things were lost due to a broken hard drive or merely misplacing a file or two. But most of the material was archived on several backup drives.

Somethings didn't change that much at all. The original cover from the B+W dummy book .

Since the book's first version was made nearly 19 years ago, the story itself has gone through quite a few major revisions over the years. I found one of the original dummy books that I tried to get published nearly a decade ago (this, in particular, was made during my second attempt of breaking into the publishing business.) All of the following images for this posting will be from this black & white mock-up book.

Just to Note: It's safe to say that I HATE seeing my old work. I see so many poor decisions in the storytelling from looking at these old alternative versions of Bobby's Biggest Bubble. The main elements are all there: the gumballs, the big bubble, the meteor and of course Bobby. But much of the story's flow and structure has been tweaked.

So . . . I'm going to share some of these alternative versions of the book here in 3 parts this week. Think of it as one of those DVD extras where the clips that were edited out.
These postings will assume many have read the story - and if you haven't, there will be spoilers (so don't spoil it for the children!)

Part One will be about the arrival of the gumballs and the neighborhood children.

Part Two will look at Otter and how the bubble was originally going to get around town.

Part Three will show the not so great original rushed ending. (sigh)

You know, I'm starting to think I shouldn't show this stuff. But hopefully, in doing so, others can see how important rewriting a story really is when trying to craft a better story.

The Importance of the Re-Write!: Part 1

Part 1: Delivery and the Town's Children

Image #1: The first noticeable change from today's version of Bobby's Biggest Bubble is the long time spent getting to the gumballs. It took an extra 4 pages for the gumballs to finally enter the story. Initially, I thought it was important to show how the gumballs arrived at Bobby's home. But when I analyzed what parts of the story I thought were more enjoyable and what was lacking . . . the arrival of the crate just didn't seem that important.

Image #1: Poor Melman the Mailman struggling to get the package delivered on time.

Image #2: A whole group of neighborhood children was developed as supporting characters. Their job here was to imagine what could be inside the mystery crate. About 10 children characters were developed.  The original plan was to eventually write a "Really Tall Tale " for each of the town's children. (But that concept was put aside since I have many other stories I want to tell first.) Seeing this page now, it feels like a lot of unnecessary filler. 

Image #2: The neighborhood children guessing what was inside the crate

Image #3: This page was basically used as seen, except for Wilbie, the town's book smart kid.  Wilbie was originally going to be the best friend/sidekick to Bobby, but Otter seemed like a better choice to play a sidekick/fall guy. I still like the idea of the polka dotted gorilla . . . But that would have distracted from what was happening in the image -- which was the opening the crate.

Image #3: The whiz kid, Wilbie, was edited out the book.

Image #4: I thought by showing Bobby sharing the gumballs with all of the children, it would help establish Bobby as a very likable character. This was a cute page, one I wanted to keep for the book. But eventually, this had to be cut out and replaced by a 2-page spread of the gumballs spilling out of the crate. The 2-page spread does a great job of showing the vast amount of gumballs flowing from the box. . . Far better than if it all happened on a single page.

Image #4: Bobby sharing the goods

[ Note: You can see Otter in the distance as an outcast; longing to be a part of the fun - but he stubbornly refuses to be friendly. More about that in Part 2 tomorrow. ] 

Go to Part Two

The Importance of the Re-Write!: Part 2

Part 2: Otter and Bubble Transportation

Image #5: I always knew I wanted a character to sidekick and assist in Bobby's bubble adventure. I thought, "If I had a loner/bully character who joins in on Bobby's adventure, they would become the best of friends." So I originally created Otter as the nosy, spying and pesty kid, (who looks somewhat like Curly from the Three Stooges.)

But I started to find that the story was already getting too wordy. I had Otter always in the backgrounds, occasionally making snide comments and snooping around to see what was happening. The transition of them being strangers and then suddenly best friends was a bit too abrupt. Because of the limited pages, I gave up on having the two eventually become friends -- instead, I just had them as friends from the start. This made it so much easier, and it actually allowed me to add two more pages of the boys' with their crazy gumball activities.
(FYI: Those four pages are my favorite part of the book.)

Image #5: Otter getting closer but still casually strolling by the crate . . .  

 Image # 6: Having Otter become the best friend freed up a lot of explaining.  It also allowed me to use Otter's reactions to focus on what was happening on each page. But most important, Bobby needed someone to assist him in moving that giant bubble around. My original writing simply had them head to the hills in the park. No interactions with the townspeople at all (not at all like the book today.) 
This part of the story always annoyed me; just running the huge bubblegum bubble to the hills was boring. So I did a fourth re-write -- and then it came to me. I would have Bobby go to several locations, each one stating that Bobby could no longer stay because his bubble was getting too big. (This was the most significant change I made from the original story, and it makes me so happy to see that the alternative idea worked so well.)

Image #6: Headin' fer them thar hills!

Image #7: Now moving the bubble from place to place was crucial to help show the overall size of the bubble and how much it was growing. To help emphasize the massive scale, I would start to have them struggle with controlling and moving the bubble, especially uphill.

Image #7: The struggle of moving the world biggest bubblegum bubble uphill.

Image #8: I knew how I wanted the story to end, but how to get there wasn't easy. In the original story, they make it to the top of the hill -- and then a gust of wind takes it away.

Image #8: A similar image is used in the book, except the boys don't lose the bubble -- yet!

Image #9: This page was left out. It was always the weakest part of the book to me.  But it was my only solution at the time. I can safely say that the story has gotten considerably better because of the rewrites. It's important to step back from your work, give it a rest and then approach I again with new eyes.

Image 9: Chasing after the floating giant bubblegum bubble heading towards the town

\(Warning: spoilers abound. I will be revealing how the book ends!)

Tomorrow I will try to cover and explain . . . (shudder) . . . The original ending. Go to Part Three

The Importance of the Re-Write!: Part 3

Part 3: The BIG problematic finale!

I take back what I said before. This part is the most significant change to the story -- where my climatic ending just wasn't that exciting! (Lots of standing around.)
SPOILER ALERT: I'm about to give away the end, so here goes . . . 

Image #10: We left off where the boys lost the giant bubble to the wind while on the park's highest hill.
I knew my ending already: the giant bubble deflects a meteor that was heading to the center of the town. I was stuck on how to get to that point. So I wrote the following: 

1.) The bubble floats away with the wind. (Ok, that's how the bubble collides with the meteor.)
2.) The boys run after it, leading them to the center of town. (Ok, that gets them to the location)
3.) My story's BIG problem: how to suddenly mention that a meteor was heading toward the town.
I worked around this problem by having the town already know the meteor was coming and that officer Augie (later named Mike) was evacuating the area. I was not happy with this idea.

Image #10: Those who have read the book may notice this is now Mrs. Applebottom's location.
Note the newspaper headline . . .

Image #11: I had to take a page or two to explain the dire situation. So I had Officer Augie explain to the boys about the danger approaching the town. I didn't realize it back then, but I was creating a situation in the story that could potentially scare children who were reading the book. I didn't want the story to focus so much on the meteor and the danger. I didn't want children thinking their town too could be hit with meteors.

When doing the 3rd rewrite, the idea of losing the bubble to the wind and the evacuated town was utterly tossed aside.

Image #11: Officer Augie is taking WAY too much time telling the boys they are about to get hit by a meteor.

Image #12: This is such a poor perspective and such a mediocre attempt at creating tension to the story. I started to notice what was missing -- and that was Bobby's biggest bubble. The main focus was nowhere to be seen. To follow just the characters without even seeing the bubble for many pages, was a poor decision.
When doing picture books, it's vital that the images alone can tell the story. If I took the words away from these several pages -- no one would know what was happening, including me.

Image #12: Oh No! Guess who wasted too much time hanging around a danger zone area?
(And where did Officer Augie's newspaper go?  Where'd that squirrel come from?)

Image #13: This was just a silly filler page I added, but later I used this as a promotional idea.

I took the gum-wrapper artwork and made mock versions using packs of Trident and Dentyne gum. I would send a pack of gum wrapped with the Bobby gum-wrapper to publishers, along with a query letter and dummy book. (See my past blog about this by clicking HERE.)

To the people who have read the story, you can see the big changes that were made to Bobby Biggest Bubble. The re-writes helped me iron out the weaker areas and helped me revision the story in a far better way than I originally imagined.
Now the bubble appears on almost every page (in one form or another!) While it still has the meteor ending, it feels more humorous now than the original doom and gloom of the original. Bobby and Otter are visually the best of friends from the start. Overall, there a pattern and flow to the story.

Every story I do from now on will be re-written many times for this simple reason; every re-write tends to bring new and better ideas. Every re-write helps eliminate errors and weaknesses.I'm very proud of how the story turned out and heard many comments from parents who say their children enjoy the book ( -- and THAT is the importance of the re-write.)

Bobby's Ginormous Jelly: Beginning of the sequel

As of this writing, over 350 copies of Bobby's Biggest Bubble have been sent out to KickStarters, online purchasers, agents, publishers and libraries.
Getting published can take years so I'm prepared for the long haul.

But no writer (or illustrator) should just wait around for something to happen.
So, the sequel to Bobby's Biggest Bubble is now in the works. I already have the basic outline of the story written and I plan to complete the 1st draft and rewrite by the end of this month. The story with layout sketches should be completed by March. Then hopefully I can ink and color the book by June. If that all happens as scheduled, I plan to print 500 soft cover books** and have them ready to be sent out by mid August.

One thing about this book: it should be much easier than the first. The main reason is that the entire cast of characters will be back again -- and generally they will appear in the same background settings. There will be differences but the layout will be very close to the 1st book.

There is a special group of new characters that are very important to the story.The aliens. I have been playing around, trying to make the aliens that would work best for the story. It's taken awhile, but I think I'm close to what I need. 

These are the Moop-Meeps. They'll be giving Bobby an unexpected visit in Bobby's Ginormous Jelly.

I needed the aliens to be funny, small and generally not scary but at the same time, these aliens mean business. (Note to parents: Revealing these little guys now is a bit of a spoiler to the 2nd story so any of you planning to get the 2nd book for your little ones - don't tell them aliens are in the 2nd book!)

These little guys may still change a bit. I'm still thinking about dressing them in outfits similar to Bruce Lee's yellow jumpsuit.

** Just to note: I won't be using KickStarter again for the sequel. Soft cover books will be much cheaper to make than hardcover books. Plus with a smaller order, we should easily afford the printing costs on our own.

Check back here for more updates as the book is developed.

Bobby's Biggest Bubble: Thank You image

This is an image I created over the Thanksgiving weekend to thank all of the KickStarter pledges and supporters that helped create Bobby's Biggest Bubble.

From left to right: Oggy, Woger, Otter and Bobby

Thanks again to everyone who helped make this all possible. Yous guys is the best!!



UPDATE: I used this image for Illustration Friday the week of May 3 2013; the word of the week was TRIBUTE. This image has a double meaning to that word.

1st:  It was part of my thank you to all the people that helped me create my first children's book, Bobby's Biggest Bubble.

2nd: The book itself was dedicated to my Uncle Bob, who inspired me with creative thinking, fun and just a ton of laughs. My Uncle passed away nearly 20 years ago from his bout with Leukemia -- but the memory of him and his influences on me live on . . .

Bobby's Biggest Bubble: Now available online

Bobby's Biggest Bubble in now available online for purchase at Etsy and eBay!
There will be more marketing locations added in the coming months, but for now I need to control the amount of books being sold until I receive the bulk of my shipment in a few weeks.

Update:
eBay, Etsy, and other online book outlets are no longer linked to the book.
This is mostly due to cost and maintaining inventory.
You can still purchase the book via Paypal (at the lowest price with free shipping.) and with Amazon (which costs more because Amazon wants a larger cut of the sale.)

Bobby's Biggest Bubble: 1st Shipment of the Books have Arrived!

Books are in, and they look great!
Mailing out to KickStarters begins Thursday Oct, 4th.

New orders for the book will available in a few weeks in the middle of October; I'll be sure to provide links to where the book will be sold.

First shipment arrives and looks fantastic

Closer look at the bookmarkers

Showing the white bubble wrapped packet and it's contents going out to KickStarters

WOOT!

Daily Quick Sketch: Gabby the Rooster

Few people wrote saying that they like seeing the pencil sketches because it shows the thought process to the final drawing.  I'll start tossing a few pencil sketches and sometimes show the pencil-ink-color comparisons from now on.

Below is Gabby, a rooster character I've been thinking about for some time.
I want to do a collective book of short tales that follow in the steps of Rudyard Kipling's "How the . . . " tales. (e.g. Elephant's got his trunk, Camel's got his hump, etc.)

In this particular story, it will answer the question, "Why does the Rooster crow in the morning?"

Gabby with his beak taped shut

A Tip O' the Hat to Print Ninja

Things are happening fast now.

I must take time here to thank Print Ninja's staff: Paula, Dak and Daniel for helping me get this book to final print. These people have answered my insane amount of questions and have taken the time to make this book look the way I envision it. I highly recommend their printing service; not only because they have a great quoting system on their website with great pricing -- but they have been the friendliest printing staff I have ever had the pleasure of working with.

So . . . The book's proof came in this week. It's looking good. They did a fantastic job making a hardbound proof.

I had several issues, such as the yellow coloring on the cover and the title page, the cover's background color not hit the fold lines and several of my own coloring errors inside the book. Most errors were minor issues and easily corrected.



With the revised work sent, the book is officially ordered to go to final print. The expedited shipment should arrive in about a week or so for me to get out the books to you KickStarters who funded $25 and up. The buttons are also here and ready to go. The bookmarks should arrive with or around the time the book shipment is delivered. So all things seem to be on track.

Bobby's Biggest Bubble: Bookmark

Below is the artwork layout for the bookmark for BobsBigBub.** Note there is a .125" bleed area on all sides of the artwork (you can see the thin black lines in the corners of the artwork.) That's the area that will be cut off so that there's a nice clean edge of the bookmark.  Everyone who pre-ordered the book via KickStarter will be getting several copies of this bookmark.

Later on this week, I will post the BobsBigBub button artwork.

** That's my new shorthand for Bobby's Biggest Bubble, which I have typed too many times in the past few months.

The Ol' Gum Promotional Gimmick

Talking to my cousin Cindy about Bobby's Biggest Bubble, she mentioned that maybe I should consider sending gum when trying to promote the book. Funny thing is, I did try something like that long ago at my first attempt to get the book published.

So I did a quick search on my archive drives. There, among the many archived files of rejection letters, I found the old gum wrapper design used to promote the book. I would send the redesigned gum packs with my dummy book submissions to various publishers.

The plan was simple:

• Buy several packets of Trident gum. 
• Measure the size of the gum packs. 
• Redesign a wrapper that featured Bobby and promote the book.
• Print the wrapper on high gloss film.
• Remove the Trident wrapper.
• Use double sided tape to attach new wrapper design around the trident gum.

It looked really good, but apparently it didn't work.

To be honest, I don't think many of the publishers I submitted to even looked at my book. In fact, I know several publishers never even cracked open the book's cover, because I placed very tiny seals on the edge of the books. When those books were returned - those seals weren't broken.

This is still a good idea.
I think I'll update the artwork and info and try this again.