Arrrggghhh! It's Another Quick Sketch Video: Chuck

Just posted another drawing technique video up on YouTube.

This time it's a little character I named Chuck, whose the twin brother of his "older" sister Charly**. The twins are part of a story I plan for release in 2015. 

Lil' Chuck: the subject of the newest Arrrggghhh video

This is a good example of developing years before finalizing the story. Though I have no plan to work on the book for some time, I will let these characters sit around in my head until I'm ready to do their story. They may change or something might inspire me to create a new look . . . but doing a sketch of them now helps me develop a better book in the future.

**(See Charley's previous post.)

Illustration Friday: Urban

It's Illustration Friday!
Every week, the website Illustration Friday posts a word and invites everyone to submit their illustrations for all to see. 

The word this week is URBAN. Since I've been pulling many all-nighters this week. I'm going into my archives for this week's image.

This image is from a children's book I was working on long ago, but never published. I was experimenting with altering images from NYC as the background. The character, Lil' Mouse, was painted digitally and shaded on top of the abstract images of the city. I did about 8 pages of the story before moving on to another project. (One of the reasons for dropping the project was the concern of owner's rights to the original NYC photos I used and manipulated.)

Cover to a children's book concept using abstract photos of NYC merged with digital characters and type.
The background used here was an image of NYC's Time Square.

Want to see more images of what others are doing with the word?
Have an image you want to show everyone else? Then go here: Illustration Friday

Daily Quick Sketch: Charley

This is a character for a children's story I plan to do next year. The setting will be in a very snowy area where she and her brother encounter a very strange . . . "thing". (I have her brother sketched up too - maybe I will post him this weekend.)

Charley: Quick sketch done in ArtRage 4.0.2.
Copyright ©2013 Arrrggghhh Ink Publishing

The difficult thing lately is that I have been dealing with too many ideas at once. I've over ten stories that I constantly juggle and visualize in my mind, especially when going to sleep. Occasionally, I'll get an idea to improve a book, envision a whole new story concept or visualize a new character in my imagination. Many times, if I don't get these ideas down on paper, they are quickly forgotten.

I don't plan on working on the story that Charley is in until early next year. Yet, I can't let the image of her dissolve away. So, doing a quick sketch of what I imagined and putting it down on paper (and this blog) will help assure that Charley will be there when I finally need her character.

Daily Quick Sketch Video: Lumpy Bumpy Monsta

I've always enjoyed see others showing their creative techniques . . . so I'm going to start posting videos of my process of digital sketching/painting.
If people seem to enjoy this, I'll be sure to post more.

Update: Few people had been asking what I used and how I did this:

Daily Quick Sketch: LB Monsta

I thought I'd test out my new upgrade of ArtRage Studio Pro (now version 4.0.2). Using one of my oldest characters, I tried the new interface using the soft pastel settings in the program on rough canvas background. I still need to work out the kinks of using the upgraded version with it's changes.

My Alien/Dinosaur character: Lumpy Bumpy Monsta

To anyone who is looking for a powerful art program for a great price, check out ArtRage Pro. They have a trial program on their site with giving it a try. (The program is even available via Steam if needed.) The user interface is nice and compact compared to Painter. Painter & Photoshop have much more control, but ArtRage allows you to simply get into your work.

AND, when comparing ArtRage to Painter or Photoshop, you can't beat the price . . .
The upgrade was only about $25. For those new to the program, you'll need a good stylus and a copy of the 4.0.2 Artrage Studio Pro program will only cost about $50.

Illustration Friday: Egg!

This week's topic at Illustration Friday is EGG.

Below is the image I submitted to http://illustrationfriday.com.
It's a fun site and I find it to be a great way to exercise creative thinking and honing up my drawing skills. I highly suggest all to join (or at least take a look at the other great submissions made by all the fantastic artists there.)

Images from da Ol' Creaky Hard Drive: Bobby

Digital watercolor base with color pencil lines (Painter 12)

I have an old, external hard drive that sounds like it is on its last leg. I can hear the ball bearings starting to rattle inside the casing . . . so, I've been backing everything that's worth saving onto another drive.

What's strange is finding images on the drive that I don't remember making . . . ( I do find this happening more often as I get older.)  I'm pretty sure I did these images . . .
yea . . . pretty sure . . .

This image is one of those test sketches I was doing last year when I was making my children's book. I do remember making quite a few test sketches, trying different styles and looks -- but time was the key back then. To do the entire book in a more painterly style would have easily added another month to the workload.

I really wanted a sketchier style to the book, but I was concerned on how to control the pencil line details.  Transferring pencil lines to print is tricky and risky; it's very easy to lose many pencil strokes when scanning into a computer.  Since this was to be my first major self published book . . . I wanted no risks taken. The final decision was to go with heavy ink lines and spot coloring, making it a very cartoony-looking style.

Daily Quick Sketch: Beached Whale (Updated)

Quick little sketch made for the website Illustration Friday, a site where people upload their artwork based on the topic of the week. This week's topic was: SWIM.

Beached Whale colored in ArtRage

UPDATE: Added the original pencil sketch seen below.

Original pencil sketch. Note the nose clip looked too much like a mustache

Publisher's Weekly Review! (Updated)

Just found out today that my first children's book, Bobby's Biggest Bubble, was selected and reviewed by Publisher's Weekly and printed in their bi-monthly magazine for independent publishers called PW Select. Too exciting!

Cover to the PW Select Feb 2013 Magazine

Above: clipping of the book review from PW Select magazine

Update:

Adding direct link to the review on PW's website:

http://www.publishersweekly.com/978-0-9857628-0-3

Daily Quick Sketch: Balding Eagle (Updated)

Daily sketches are quickly drawn sketches that come to mind on paper with no rhyme or reason. They generally are just flashes of images imagined.  It is through this process that hopefully something good comes to light.

But sometimes . . . something appears on the paper which just seems so weird, bizarre and unexplainable . . . yet it makes me laugh (and I may be the only one laughing.)
This is one example:

Original B&W ink quick sketch

UPDATE: added color version

Character Development: Using What Worked in the Past

For a long time, I've needed to develop a witch character for my upcoming eBook, "Bladimir Blarfarg and the Worm Wire Glasses". Making a good cartoon witch character isn't easy, especially when its a story for children.

The character of Witch Nazel needs to be a kind, helpful and happy witch. She is a crucial character to the story so she can't be too ugly because children would hate her. She shouldn't be too cute and pretty - that would make her more of a fairy then witch.  And since I always want to write humorous stories that make children laugh, she MUST be funny. Knowing these features I needed for the character, I still struggled to put it all together and get the right look.

One of my many Witch sketches: This one was too thin and lanky to use.

I noticed I was making my witch sketches too thin and tall. Thinking how Witch Nazel would interact with Bladimir, (who's a short stocky monster), I realized the layout needed to be more compact. Most picture book eBooks are read horizontally then vertically. So I needed short, stocky and funny . . . that's when I remembered an old favorite character of mine: Chef Gordon Baloo.

The transformation of creating Witch Nazel from key features of an old favorite, Chef Gordon Baloo.

Chef Gordon Baloo was a character I created long ago. I have always loved the look of this character and have made cartoons, animation clips and one of my old website's used him as a company mascot. So the answer was easy, take Chef Baloo's best features and dress him up as a witch.

Witch Nazel was born . . .

Design Process: SCBWI contest

Below is the entry image I sent to SCBWI (Society of Children’s Book Writers and Illustrators), which is one of the largest existing organizations for writers and illustrators of children's books.

Final illustration submitted to the SCNBWI contest

I became a member of SCBWI last December and was sent an email about an illustration contest for New Jersey members. The rules were: 5" by 5" black & white image with one color showing a kite (which is the group's key logo element.) It was also suggested to not get too detailed since the image would print small . . . (but this was a concept I thought of when I first heard of the contest. Couldn't help myself!)
Below, I will show my process for developing this concept, how I technically do projects like this, and the changes that occurred along the way.

1. The Concept Sketch (Getting It on Paper)
The first thing I do is quickly doodle what I'm thinking. The image doesn't need to be clean, neat or even recognizable -- at this point, I just want to get the image in my head down on paper.

First pencil sketch of the initial concept

2. The Main Focus
The concept here was to have many characters of different genres coming out of a giant book and looking up at a kite. Since the kite represents the SCBWI group, it should be the main focus of every character. The most prominent character was going to be the book. It is important that the book be the "leader" whose eyes make you, the viewer, look up to the kite. Knowing this, I created huge glasses to exaggerate the book's eyes . . .

3. Fine-Tuning the Characters
Now that I know the characters I want to place in the image, I focused on each one as an individual. This way I don't have to worry about the layout or composition of the image. I can just make sure that each character is clearly seen, understood, and detailed to represent different genres in children's books.

Original ink sketches of characters for the image

4. Putting the Puzzle Together

Now that I have all the pieces needed -- I start to re-arrange, re-size and change the characters trying to give each one their proper spacing so as not to crowd too much in one area of the image. This is where it all starts to come together. You'll notice the changes being made: like the monster in the book, deleted one of the flowers in the lower corner, and the princess (who just wasn't princess-y enough.)

The basic layout for the final image

5. Going Vector
I bring the image into a vector program. {CorelDraw X6 was used in this case.} The image needs to print in black and white . . . so there can be no grey (like a pencil sketch) because details would fade/smudge in print. Creating the work in a vector program will give a bold, clean look.

One should keep in mind that doing vector images can something feel too mechanical and cold. So to create more of a natural pen flow, I constantly altered the thickness of the pen lines to give a more freehand style to the image.

The entire concept image is being recreated in vector format

The concept sketch is laid and locked on the bottom (or base) layer. It is then toned down to a faded/ghosted image which makes it easier to redraw over. To make it easier to arrange and control, each character/element is created on a separate layer. You'll notice above, I don't bother to create the eye focus on the kite yet; Since items and the kite itself are being moved around, it's best to change the eye focus when everything is in place.

6. Final Tweaking
Once each of the characters is re-drawn in vector lines, many things were re-sized, altered, and shifted to create a more balanced spacing. Then, all the characters' eyes were fixed to focus on the kite.

Revised simplified Gray image sans the Elf