Showing posts with label #Pirates. Show all posts
Showing posts with label #Pirates. Show all posts

Monday, April 15, 2019

Cap'n Manchot: supporting character of Pirate Dreams

Cap'n Manchot is another support character for my picture book story Pirate Dreams. The story is getting bigger and bigger so I may have to change it into a chapter book.
The original artwork was created in pencil, white pen, and Copic gray markers on Strathmore Toned Tan paper.

Pirate Dreams is greatly inspired by my childhood favorite book, The Phantom Tollbooth written by Norton Juster with illustrations by Jules Feiffer. I have always felt that The Phantom Tollbooth was a boy's alternative to The Wizard of Oz. From the very beginning of that story, I was hooked, putting myself in Milo's shoes, being cast into a strange world with incredibly weird characters.
Digital touch up of Cap'n Manchot; line textured, repositioned, desaturated and text added.
Pirate Dreams is also a voyage of discovery, filled with odd characters in a whimsical pirate world setting. With each rewrite, the story keeps changing and growing.  The cast gets bigger and bigger as new ideas pop up. In a way, I'm in Milo's shoes again, discovering a whole new world.

Tuesday, May 8, 2018

UPDATE Daily Quick Sketch: Cap'n Billy Buttons

UPDATE
So what's a pirate character without a parrot? I originally had a parrot on his shoulder, but really dislike the way it looked. I like this new little guy . . . introducing Cap'n Billy Buttons and his parrot companion, Pockets.
A new update: changed Mr. Buttons' colors slightly and added a new parrot, Pockets 

The original pencil sketch for Pockets the parrot
- - - Originally published on 4/7/18 - - -
Here's a character design for my picture book manuscript, Pirate Dreams. His name is Cap'n Billy Buttons, one of the supporting characters that join the main character in the story. He's is a kind soul that is trying to live up to the role of being a pirate.

A digitally colored version of the Cap.n Billy Buttons sans parrot
Cap'n Billy Buttons isn't taken seriously by other pirates, mostly because of his name. So he runs a crewless ship. Because of no crew, Buttons has to do everything on the ship, including the laundry . . . (which apparently he knows nothing about as you can see from the shrunken clothing he wears.)

Hand inked version of Cap'n Billy Buttons with (eech!) parrot (that needs to be revised)

Friday, March 24, 2017

Ramblin' On: Digital Artwork vs Physical Artwork (Image: Pirate Dreams)

Ah, the conflicts between digitally and physically drawing.

Personally, I never liked to paint. Painting is punishing when you are unsure of your finished image. This is the reason I think most paintings are portraits, landscapes or still life; they are usually based on reality and what the artist physically sees.

Pirate Dreams: Originally created with color pencils + watercolors, then I digitally recolored the night sky

Growing up, I was always more driven toward things that weren't real. The mysteries and unknown. Imagining what could be out there but never found. When I started drawing, a pencil and eraser were the only way I could explore my imagination; So much more forgiving to changes than using crayons, ink or paints. Because of this, I became an Illustrator/Cartoonist and not a Painter.

Then came the digital world. Programs like Photoshop/Painter allowed one to paint with an eraser. Layers allowed one to experiment. As time went on, these programs became more and more expressive at mimicking mediums with Wacom tablets and other technological advances.

Pirate Dreams: The original pencil sketch

Today, I find myself mostly creating pencil sketches and then finishing digitally. (If I need physical coloring, I always go to alcohol based markers because they provided great color blends and control.) I strive to change my heavy cartoony line style to something more painterly and loose, to better fit the picture book market. When painting digitally today, I still struggle to "see" what that final image will be. (Oh, it's easier to paint now, but my traditional methods still get in the way.)

One thing I'm sure of: a physical piece is more challenging, a better representation of an artist's process and therefore more rewarding since there is an actual finished piece of artwork. The same can not be said of digital art.

Monday, October 10, 2016

Inktober 2016: Jump (#10 of 31)

For the 10th day of Inktober, the word of the day is Jump.

Inked and toned using Copic markers

Monday, February 1, 2016

Goblin Week: Goblin Pirate Robbers

I just heard that Goblin Week came and went. Goblin Week is an annual Internet thing, where artists from all over the world draw and submit their Goblin drawings online to share for amusement. I drew several goblins for the past 2 years but missed this year's Goblin Week completely.

Better late than never . . . right?
Flat colored floater version of the artwork (sans background)


I didn't have time to fine tune this image, so I just flat colored it (without highlights or shading,)

The inking on the pencil line

If you enjoy seeing this type of artwork, check out other artists' Goblins sent during the week (and past years) by searching #GoblinWeek and #GoblinWeek2016.

The original pencil sketch for "The Goblin Robbers"

When I find the time, I'll finish this image's highlighting, shading and add a proper background.

Seen with a tan background: my late Goblin Week submission for 2016, called "The Goblin Robbers"