UPDATE: Daily Quick Sketch: Lil' Squire

In the past year, I rewrote my picture book story The Squire. At first, it was going to be a story about a little girl playing strong roles often portrayed by male characters. Then I rewrote the story to also include a stronger message about equality. That's where the twins' idea came into play. After all, twins should be pretty equal, right?

Adding more humor to the main characters of THE SQUIRE

The story became more of a dialogue between the twins. More humor was put into the characters reacting off each other. Their arguments intensified; hopefully in a seemingly funny way. I also found an ending that I feel fits perfectly with humor and hitting the key message of the story.

The original pencil sketch of Erica and Oliver, including their lovable sheepdog, Max

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Below was originally posted on 1-28-13

Been a while since I posted a daily sketch.  This one is a little girl dressed in a knight's suit of armor. I was just testing out the stylus controls again, making adjustments to the pen line.  I thought of making a strong little girl with a playful imagination of adventure and action. I came up with this quick little sketch which I immediately named "Lil' Squire."

D-Bot: Developing a Main Character for a Picture Book II

Hard to believe it's been about two years since I created this story and character while doing jury duty. The long hours waiting was the perfect environment for me to daydream this picture book story.

Character study of D-bot: focusing facial expressions

I have submitted the story many times and have received many rejections. Many just say that they don't see a market for it. Others have said they didn't like or "get" that each robot is named with a letter. I still think it is a fun story about self-worth.

Original pencil sketches of D-Bot heads

I'm hoping the main reason for the rejections is that I haven't had the time to sketch a dummy for this picture book. So I go back every once in a while. Sketching the characters. Fine-tuning. Experimenting. Learning.

Maybe one day, D-Bot. Maybe . . . 

D-Bot: Developing a Main Character for a Picture Book

UPDATE: New Type for Title

I'm playing around with type, trying to develop a title design for the book.

Placed the type on a lower layer behind the character artwork.
Not sure it's good for a children's picture book, but I do like it.

UPDATE: Color experiment

I'm playing around with using a very loose coloring and pencil scratchy pencil holding lines.

Not sure I want to add the rustic tones, might be too much, will have to try out several other color scheme variations. Thinking each type of robot should be a specific color, but not sure the colors should be drastically different.

Liking the look, but the rustic feel might not work for this character

Those who see my work on Instagram might recognize this character. This is D-bot, the main character in its self-titled picture book story. The look of D-Bot has changed quite a lot over time.

A pencil sketch of the latest version of D-Bot

In fact, D-Bot looks nothing like the original sketch from several months ago. As seen below, it was just too ordinary and had no striking features. The story of D-Bot is about self-confidence and self-worth, which needs to show emotions to truly work.

The original 1st sketch of D-Bot

But that first sketch did lead to the 2nd and 3rd versions of the character. Each molding towards the latest design. Take what works and drop what is weak.

2nd sketch of D-bot showed more expression

I like this 2nd version, very playful and simple . . . but I still wanted to explore the character design

Image from a video that was posted on my Instagram account

The character was merging into something I could see starring in its own story. I want a robot, but I also want the character to show emotion. If it's too robotic, it'll usually have a dead stare, and the #3 design didn't have pupils, (which doesn't help the character connect with others.)

Seen here are version #3 (left) and #4 (right) of D-Bot. #3's eyes were too dead and cold.

Below, I broke D-Bot down to all his parts to help analyze and remember how to draw the character. Now, I'm considering using a similar image as a repeat pattern inside the end pages of the book.

Anatomy of a character: breaking it down into small components

Cap'n Manchot: supporting character of Pirate Dreams

Cap'n Manchot is another support character for my picture book story Pirate Dreams. The story is getting bigger and bigger so I may have to change it into a chapter book.

The original artwork was created in pencil, white pen, and Copic gray markers on Strathmore Toned Tan paper.

Pirate Dreams is greatly inspired by my childhood favorite book, The Phantom Tollbooth written by Norton Juster with illustrations by Jules Feiffer. I have always felt that The Phantom Tollbooth was a boy's alternative to The Wizard of Oz. From the very beginning of that story, I was hooked, putting myself in Milo's shoes, being cast into a strange world with incredibly weird characters.

Digital touch up of Cap'n Manchot; line textured, repositioned, desaturated and text added.

Pirate Dreams is also a voyage of discovery, filled with odd characters in a whimsical pirate world setting. With each rewrite, the story keeps changing and growing.  The cast gets bigger and bigger as new ideas pop up. In a way, I'm in Milo's shoes again, discovering a whole new world.

Pencil Sketch the character Felix from "Whazzit?"

I've written many picture book manuscripts over the years. Sometimes I'll write a story and I "see" the characters. Other times, I haven't a clue, or I'm not satisfied with a character or story; sometimes this goes on for years. When that happens, I put the story away and let it sit for some time.

But every once in a while, with no reason at all, a character "pops" clearly in my head and have to get it down on paper or it is soon forgotten. For example, after years of failing to envision Charli's baby brother, I doodled, and Felix appeared on my sheet of paper. (Even odder, was that I had struggled with a similar baby sister character for another story, and suddenly she was also created two days after Felix. It's like I had a sudden muse of toddler characters pour out of my head.)

It seems Felix has fallen asleep again while standing - a pencil sketch touched up in Photoshop

Felix is an essential character for my mystical wintry picture book, "Whazzit?" (In fact, It's Felix who uses the title phrase "Whazzit" in the story.) I'm testing and rounding this character out, using a more pencil-sketch style and planning to do a character sheet to flesh out the role further.

Related link: I posted an ink sketch of Felix's older sister, Charli, some time ago. For her character, I used an ink brush, so she is drawn in a cleaner black line style than seen here. I think I'll try the pencil sketch style with her character next. Then, I'll sketch . . . Whazzit.

Daily Post: Chicken Little (with video)

Today's sketch is one I had around for a while. This was a design for a story I wrote using known fairy tale and nursery rhyme characters. This is my version of Chicken Little. I know traditional, Chicken Little is a cute, little chicken in books, (or a big headed with glasses like in the animated movie.) I wanted very wacky. 

Digital color comp for Chicken Little character

Inking for Chicken Little

Daily Sketch: Bug

New concept sketch of a character I'm developing for my latest picture book manuscript, Bug. His name is Allen, a character with an extreme identity crisis.
Swipe to see the original sketch, inking, and color breakdown images.

Sidenote: I used an inking brush setting which resembles a leaky pen. I really like how fluid and random the line becomes.

Final color version

Original pencil sketch

Inking with some shading

Alternative image with color background

Throwback Thursday: L.B. Monster sketch found

REPOST DUE TO CORRUPT AND/OR LOST IMAGE FILE:
Many posts labelled with Throwback Thursday suddenly missing or corrupt images.
Why is this happening Blogger (aka Google?)
Originally posted on 6/24/16

UPDATE: Color

Marker comp: Coloring LB slightly different than usual . . . testing the waters

UPDATE: Inked version

Brush pen inked version of the found Lumpy Bumpy Monster pencil sketch 

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It's a strange feeling to find some of my work from the past. There's this sense of seeing it with new eyes again as if looking at someone else's work. This one in particular really surprised me. It was hidden on an old hard drive I was cleaning out to scrap.This image was sketched sometime back around 2003.

An old pencil sketch of my series's main character called The Lumpy Bumpy Monster ( aka L.B.)

L.B. (short for Lumpy Bumpy) is one of my oldest and favorite characters to draw. It took me nearly a decade to mold him into the character he is today. Yet, while I have 100s of sketches and drawings, I've yet to ever really do anything with him (and his supporting characters.) L.B. was originally intended to be part of a series of books for children. I felt I needed to be established in the publishing world before I could ever do the tales I wanted with L.B. and Timmons.

I'm sure I will be finding more hidden works on old sketch pads, hard drives, floppy disks and CDs. If I ever get the time, I'd like to clean up and ink this image ...

SCBWI NJ Conference 2018 + Art Contest Image

Had my first NJ regional SCBWI (Society of Children's Book Writers and Illustrators) event this weekend. Great time ... especially seeing old faces and meeting many new people.

My 11" by 17" entry image for the NJSCBWI "WONDER" art contest

THOUGHT PROCESS: 
The first thing I think of with the word "wonder" is outer space. Just staring at the stars creates a sense of wonder for me. So I knew I wanted that element in the image. I considered doing a closeup of a child's face inside a toy astronaut helmet, and in the helmet's reflection, the moon and other planets would be seen. But then I thought, instead of outside, have the moon appear inside floating over a child's bed.

The original pencil sketch concept for the SCBWI art contest

• I wanted the child dressed up in astronaut-like pajamas with a toy space helmet, but then realized there would be no personal interaction or expression without seeing the child's face.

• I wanted a question mark shape for the cat's tail in the lower right corner but I also wanted the cat to peer into the room, showing curiosity to what was happening. I had to compromise with limited spacing in that area.

• The lighting was another hurdle. Originally, I wanted a green glow, for a more mystical look. But knowing this would print out on my printer  -- green is a fickle color to control from monitor to paper. Then I re-considered, the moon usually gives off a blue light in night skies. So I saturated the coloring with blue, leaving only the reddish highlights to accent the bluish hues.

Color variation: The original base colors with white light highlights

To be honest, this image is not complete. I wanted to add more details to the room, such as a basketball, bookshelves, car toys and a ragdoll astronaut. The area above the moon was going to have a night sky filled with stars. But I was running out of time to print, cut and mount the image in time for the conference.

In this version, the foreground color was muted, white light highlights dropped, and the moon's size was increased.

RE: SCBWI Conferences 
I've gone to several SCBWI Winter NYC Conferences in the past, but I stopped going several years ago feeling it wasn't for me. The SCBWI Winter and Summer conferences are HUGE, with keynote speakers representing the top bestsellers in children's literature. It's entertaining and inspiring, but that atmosphere seems best for those already established in the market. The NJ conference is more personal and is a gathering of the people I see and know the most. Comparing the two, I feel that the NYC conferences are grander, but the NJ regional conference seemed more helpful. 

One problem I had at the conference was I could not find the rooms for the workshops in the hotel. The map provided did not help. I found just walking around reading every sign was the only way I could find the assigned rooms (of which two were relocated, which REALLY didn't help.) That never happened to me in NYC, which is about 5 times larger than the North Brunswick Hyatt hotel.

Daily Quick Sketch: Perry Wanna Kracker. the giant pirate parrot

Today's quick sketch in pencil, brush pen and Copic markers. It is a supporting character for a little picture book story I wrote called Pirate Dreams. Perry W. Kracker is a huge parrot, abnormally huge, and he ALWAYS wants a cracker. He is part of the ship of misfits lead by the main character.

Pirry, the Pirate Parrot from Pirate Dreams. Pirry stands about 6'2" and weighs nearly 300 lbs. 

Daily Quick Sketch: Picture Book Character Mash-up

I had purchased new brushes for Photoshop last week, looking for brushes that give a more natural feel than the current brushes available in Photoshop. Grut brushes are pretty impressive because most of the brushes are not cookie cutter stamp and repeats.

Highly recommended, with over 300 brushes for just $20. The site even has a free sampler for you to try: Grut Brushes Link

Playing around with two of my picture book characters: Bladimir Blarfarg and Little Boo
And yes, Bladimir is the one going to the bathroom in the lake

YouTube's The Cozy Chair reads Bobby's Biggest Bubble

Special thanks to Rebekah of YouTube's The Cozy Couch for reading Bobby's Biggest Bubble!

She did an absolutely great job. She is also doing a bubblegum bubble contest. The best bubblegum bubble photo sent to her email (thecozychairclub@gmail.com) wins the book and gum! Wooo!

Daily Quick Sketch: RokSok, Son of Mudsok

Haven't drawn an underling in some time. These are characters to an underground world in a children's book I wrote a few years ago. The story is far from being polished. But I like to go back and add a few details here and there. I not only want the story to be fun, but also educational. Mixing non-fiction with fiction.

Roksok, the youngest son of King Mudsok. Image inked using a Kuretake brush pen.

The original pencil sketch

To see his dad, go here: LINK

Inktober 2017 • day 20 • Charli

Inktober 2017: Day20
Charli

Today's Inktober breaks the pattern - because today is my wife's birthday. So, I inked a character from a children's story I wrote called, WHAZZIT. The character's name is Charli, loosely based on my wife as a little girl. I had a pencil sketch I created some time ago, but never inked that image until now.

Inktober Day 20: The inked version of Charli from WHAZZIT. (Happy Birthday, Babe!)

Original Pencil Sketch

Daily Quick Sketch: Baby Elephant

Today's quick sketch is another character design for a children's storybook idea. I've been on and off with this character for some time. This is the closest I feel to what i want the character to look like. It still needs tweaking, but it's getting there.

Final inked and gray toned Baby Elephant image.

Original pencil sketch

Inked version sans the gray tones

Special thanks to Erin for taking the time to read my children's book, Bobby's Biggest Bubble!

Check out Erin's YouTube page here: Story Time with Erin
Erin posts a new picture book video every weekday, 5 times a week.
I find her site to be a great resource for inspiration and reference to the books that are out there. Please help support her site by sharing it with others.

Daily Quick Sketch: Even More Monstas and Bunnies sketch stuff

I've been sketching this image on and off for a few months now. Another image for my grouping of Monstas and Bunnies, (I'm thinking of switching to Monstas & Bunny instead, since I've been using the same bunny in all the images.)

Pencil sketch for GO FISH, another image for my collection of Monstas and Bunnies images.

Looking Back 2000-2001: Bobby's Biggest Bubble supporting characters

Way before the book was printed, I would often come back to work on Bobby's Biggest Bubble, in over a 2 decade span. My career made it too difficult to focus on making the story, especially with so much travel. While I did have a laptop with me when travelling, I found it difficult to really work/design under those conditions.

I was an animator/web designer back in 2000 and most of our computer design department was let go after the Internet market bubble broke. Only my friends John Biank, John Kowalczyk, and I remained. I stayed on for about 7-8 months, but the work wasn't the same. Our work room was empty and depressing and the projects became too corporate with less and less design needed. Eventually, I left and started freelancing again in early 2001.

Character sheet of the townspeople for Bobby's Biggest Bubble

Freelance work was good. I first got many small projects from eLance.com. This led to several companies finding and hiring me to animated their websites. I was animating for several Japanese online English teaching courses. The pay was decent, tno deadline pressures and they pretty much let me direct my own work (and others.) This provided me with some spare time and I started to go back to doing the book. Above is the image that I pulled over 11 years later to help create my picture book.

Unfortunately, 9-11 changed my career, as it did with so many other people. The freelance work dried up. I was not getting paid for work completed. I was forced to leave freelancing and go back to working under a steady full-time job.

Daily Quick Sketch: Three Lilttle Kittens

During the weekends, I've been playing around with developing characters for a story idea I've had for the past few years. In this tale, I use characters from the classic Nursery Rhyme the Three Little Kittens. I want to develop a unique style.

I wanted the kittens to look like triplets, with slight variations. This was simple to do via scanning the colored image (seen far below) into Photoshop. In Photoshop, the character was duplicated twice onto separate layers, then each layer was altered with size, shape, and color.

The final compilation of all three kittens crying ('cause they lost their mittens!)

First I wanted very simple features, to make a minimalized version of a cat.
This version lacked character,

The is a marker/ink sketch, which was scanned into Photoshop.
Then duplicated/altered to create two more variations

Original pencil sketches of kittens

Ramblin' On: Digital Artwork vs Physical Artwork (Image: Pirate Dreams)

Ah, the conflicts between digitally and physically drawing.

Personally, I never liked to paint. Painting is punishing when you are unsure of your finished image. This is the reason I think most paintings are portraits, landscapes or still life; they are usually based on reality and what the artist physically sees.

Pirate Dreams: Originally created with color pencils + watercolors, then I digitally recolored the night sky

Growing up, I was always more driven toward things that weren't real. The mysteries and unknown. Imagining what could be out there but never found. When I started drawing, a pencil and eraser were the only way I could explore my imagination; So much more forgiving to changes than using crayons, ink or paints. Because of this, I became an Illustrator/Cartoonist and not a Painter.

Then came the digital world. Programs like Photoshop/Painter allowed one to paint with an eraser. Layers allowed one to experiment. As time went on, these programs became more and more expressive at mimicking mediums with Wacom tablets and other technological advances.

Pirate Dreams: The original pencil sketch

Today, I find myself mostly creating pencil sketches and then finishing digitally. (If I need physical coloring, I always go to alcohol based markers because they provided great color blends and control.) I strive to change my heavy cartoony line style to something more painterly and loose, to better fit the picture book market. When painting digitally today, I still struggle to "see" what that final image will be. (Oh, it's easier to paint now, but my traditional methods still get in the way.)

One thing I'm sure of: a physical piece is more challenging, a better representation of an artist's process and therefore more rewarding since there is an actual finished piece of artwork. The same can not be said of digital art.