UPDATE: Fantasy Reading Scene (for SCBWI)

UPDATE

I was working on this illustration a while back, but I had no spare time and had to put it aside. The composition was too busy, but now I think it looks a little better. I made a few major changes, like:

• Made adjustments to light sources
• Created bolder outlines
• Got rid of the Knight reading over the dragon's shoulder

The updated version of the submitted SCBWI illustration sans the reading Knight

Originally Posted on 2/2/19
Work in progress: One of several spot images I plan to submit for consideration with the SCBWI quarterly, Bulletin magazine. 
Testing out the grays, shading, and highlights. No color since all images need to be submitted in grayscale. I still need adjustments to the tones and values. (Also, note to self . . . Make better use of the negative spacing, especially around the knight area.)

Greyscale image, still in the works

Digital pencil lines are drawn over the scan of the original pencil sketch on a separate layer

Adding some green tones on a layer under the digital pencil lines

Character Design: Red Dragon

I have been struggling to create this character for some time. I needed a funny yet threatening Dragon for a picture book manuscript. I believe I finally found it in this character over the holiday weekend.

Color comp of the character

I borrowed from my own sketch from a couple of months ago, where I created an illustration of a dragon, knight, and mouse reading in a dungeon: Fantasy Reading Scene (for SCBWI). I took many features from that image's dragon that I liked, then exaggerated them to create a slightly more fierce appearance.

Inked with a very soft brush pen

Original pencil sketch

Monsters and Bunnies: Nap Time

Another image from my collection of sketches called "Monstas and Bunnies". This is one of a planned set of 12. Once the set is complete, I plan to create a calendar for 2017.

"Nap Time" - finished sketch created with pencils scanned and colored with Photoshop

Possibly might try to KickStart this project, hoping the work itself will be enough to generate interest to get the calendar printed. If the KickStarter goes past the set goal, I plan to then turn the set of images into a children's book with a story about the Bunny and his year long travels meeting "Monstas".

Penciled cave background added and gray tone colored using Photoshop

Originally, I created a single image of a lion terrified of a group of bunnies. It was a sketch exercise I created for the website Illustration Friday, where I still occasionally submit new artwork, (work + time permitting.) The lion was high in a tree while several cute innocent bunnies were simply passing by. I got a lot of site hits and feedback from posting that image and it later inspired more similar sketches. But this time, the big creatures weren't frightened by a bunny -- they were adoring the bunny.

Original pencil sketch created around Spring of 2015

There something appealing about big giant monsters (many inspired by Sendak's "Where the Wild Things Are") being friendly with a small cute bunny. One by one, images appeared in my head and I started sketching them down. More to come ... 

Throwback Thursday: Dragon Tattoo

This one goes back to the summer of 2001 when I was successfully freelancing (until 9-11 changed everything.)

I got word that a local tattoo shop near my home was looking for a large detailed flying dragon for his client's entire backside. The tattoo artist only wanted line work, but it needed to be made to scale to fit the gentleman's entire back.

GIF scan of the top portion of a pencil sketch made for a tattoo created circa summer of 2001

The instructions were to create a dragon with huge wings hovering over flames. I had to do the design on two sheets of paper to fit the dimensions needed. I remember wanting to scan a copy of the work to keep on record, but I had a hard time trying to scan such a huge image back then.
Now, I only have this small GIF scan of the top half; I've no idea why the bottom half isn't in the same folder.

I never got to see the finished tattoo -- but when I got paid, the tattoo artist gave me back the original artwork, which I quickly archived into my portfolio. Unfortunately, a few years later, that entire portfolio was lost when I applied for a job with Fisher-Price. They insisted that I send my portfolio to their New York office and then they lost it several weeks later. They claimed they never received the portfolio, even though someone signed for it when it was delivered. ( Yes Fisher-Price, I still remember how unprofessional that whole portfolio fiasco was . . . )

Perhaps I'll find that bottom half one day. But I learned my lesson that year:
If you like an original piece of work, NEVER mail it out in a portfolio.