Ruth Vader Ginsburg

Some time ago my sister-in-law, Steph, asked me to do this image. She never mentioned why, but I had fun creating it. So now I'm sharin' . . .

Pencil sketched, then inked with a Pentel brush pen and colored
with Copic markers (on Canson marker paper.)

Inktober 2018 - Day31 Slice

Inktober 2018 - Day31 Slice
Well, time to say goodbye to Inktober. It's been fun, at times exhausting, and seeing others' line work has been truly inspiring. Thanks to all kind comments, emails, and likes; it really does mean a lot to me. Until next October . . . keep inking!

This image was inked with a Pilot brush pen on Strathmore toned tan paper,
using a Signo white pen for highlights.

Inktober 2018 - Day29 Double

Inktober 2018 - Day29 Double
As the image states, to this day, I still get the creeps from this scene in the Shining. In my college years, I was utterly blown away by Stanley Kubrick's work. I started collecting all DVDs of his movies, watching them over and over again. The man could truly capture a mood and is in my opinion, the most celebrated director of placement, framing, and composition.

He did take many liberties and altered Steven King's original story, but he definitely created something unique, horrific, and timeless.

Brush pen inked with digital coloring

Inktober 2018 - Day27 Thunder

Inktober 2018 - Day27 Thunder
Every once in a while, I really enjoy inking on toned tan paper. Something about that neutral tone that makes the black lines and white highlights pop. Mitch has inspired me to write the first draft for his own picture book story.

Inked with a brush pen on Strathmore toned tan paper;
using a Signo white pen for highlights, and adding some shading tones with cool grey Copic markers

Inktober 2018 - Day 25 Prickly

Inktober 2018 - Day 25 Prickly
I'm starting to think Todd's not going to survive Inktober.