Daily Quick Sketch: Spooky Spectre

Today's quick sketch was done while I was thinking of new designs for Halloween Trick or Treat bags. This character was mostly influenced by the many macabre and goth graphic designs I saw during this year's New York Comic Con.

Spooky little specter character, rough sketched and colored with markers. Glow effect was added using Photoshop.

It's nothing new, cute goth items have been selling for well over 20 years now. It seems the big thing lately though is that the cuter and darker the subject matter, the more people like it. (Of course, there's still a fine line to how dark one can go -- but much more darker topics and images are accepted today then say ten years ago.)

Daily Quick Sketch: 3 Little Pigs

This was a quick exercise trying to get very loose with my digital drawing/coloring. This is part of a new picture book story I wrote recently, which borrows heavily from classic fairy tales.

Quick digital sketching and coloring of the pencil sketch seen below.

I wanted to create a very sketchy style, but I still feel this isn't what I'm looking for. The also wanted the colors to be very subtle, but there isn't the balance that I want between the holding lines and color.

Original pencil sketch of the three pigs.

Daily Sketch: Halloween Sacko

Today's daily sketch is a burlap bag character I simply call, Sacko.
Not sure where the idea came from, I'm guessing this was strongly inspired by Tim Burton's "Nightmare Before Christmas" Boogeyman character.

Digitally colored with limited Fall colors, simply called Halloween Sacko

Sketching
I remember trying to develop a large, bulky character; but it still had to have some grace . . . not just be a lumbering creature. So I drew a more flowing dance/sweeping pose. Once I decided not to add any limb extremities, it looked more and more like a sack.  So I just went with it . . . and got this.

Original pencil sketch of Sacko from sketchbook

I was looking to practice a woodcut/stamp style of inking with brush pens.
This drawing was sitting in my sketchbook for quite some time. Flipping through the sketchbook, I immediately thought this sack character could be better, with more detail and expression.

Inking
I used a Faber-Castell B brush pen to ink the character. First, I'd draw a heavy outline, making sure it the entire silhouette was completed and adding more pressure to the marker brush then usual.
Then, I started working on the inner lines and cross hatching more details.

I felt the sketch lacked some interaction, so I had added the Halloween Pumpkin for Sacko to toss around.

Testing out a new woodcut style of inking, adding many short lines for shading and textures.
A Faber-Castell B brush markers was used for more natural pen lines.
A white Gelly Roll (8) pen was used for adding white lines, cleaning and correcting errors.

Coloring
Once I finished inking, I scanned the sketch into Photoshop, where I used a limited palette of Fall colors and a radial blend for the background. I decided to keep the colors flatter than I usually do, giving the final image a more "colored stamp" look.

Daily Sketch: The Lion and The Mouse

Here's another pencil sketch from one of my sketch books. This one is a nod to the classic fable, The Lion and the Mouse. Of course, I made it more silly . . . usually illustrators do a very realistic image of a real looking lion and mouse. Realistic just ain't my thing . . . while I highly admire those who can create beautiful realistic imagery, I really have not desire to do such images.

Pencil sketch of The Lion and The Mouse from my sketchbook.
I realize now that this lion reminds my a lot of the character Tigger, from Winnie the Pooh;
mostly because of the large snout, beady eyes, rounded ears and gaping mouth.
The resemblance was not intentional, just turned out that way.

To be honest, I was just sketching the lion's head at first. Then I added his body in a silly fetal like position - so he looked like he was floating. The lion's body pose made me think of the Aesop's fable, so I added the thorn in his paw which made the lion now looked more startled than . . .floating.
The mouse was squeezed into the page towards the end of the sketch.

The sketching process is always a surprise. I never draw exactly what I first imagine because the creative process is ALWAYS changing as the pencil moves on the paper. There's a constant trial and error that competes with new ideas and experimentation as the sketch is being made.

Hopefully when finished, the sketch resembles the basis of the original idea.
Hopefully that idea was improved upon from it's original conception.
And hopefully it all translates well to others who see it.

(Hmm, I seem to get too philosophical when I drink Chia Tea at night. . . )

Sunny the Snowman sketch

This was an old pencil sketch I had found recently. This was the front cover of a two fold hangtag for several plush Christmas toys selling at H.E. Butt grocery stores back in the early 90's. The plush toys came out great - made of mostly fleece materials.

Pencil sketch of a Christmas line I created for H.E. Butt stores

I know I have a sample of the finished printed tag somewhere; If I find it - I'll upload it into this post.

Product Design: Side-by-Side technique

Today, I'm just going to post a little example of the "Side-by-Side" technique I use to help the factory create better looking products.I create a before and after image to show the changes needed to improve a product. This is usually done by taking a photo and altering it in PhotoShop.

Even the slightest changes make a complete difference in the final product. The photo below is the front view of a plush lion rocking chair. Notice with 4 simple changes how the lion seems more friendly and happy.

Side-by-Side comparison showing the before and after images of my Lion Rocking Chair design

(Sidenote: Sadly, the way work is done today, there is less time to do the fine tuning. This is mostly due to the short turn-around time schedules that many buyers demand.)

Recovered Image: Playing Yuk-Zee

Recently found some old sketches that I don't remember doing (happens a lot.) This one was very strange because it was colored with watercolor pencils, something I rarely used when I was younger. It's not dated, but I'm guessing by my style and the characters in the image, this was probably done around the early 90's.

Found image of L.B., Timmons and Hairy playing a game of Yuk-Zee in a water color pencil sketch 

Another strange thing about this image was that I drew it on watercolor paper, which meant I had the intention to actually add water to the image, spreading the water color pencils to look more like a real watercolor painting. But this image was never wet. Nor was it finished, as seen by the light pencil sketch of a window in the background. The entire top of the sheet is roughly torn as if the sheet was quickly torn in half.

So my guess is that I was going to experiment with the water color pencils, sketched this scene, colored the characters -- but then stopped, because the look just wasn't what I was wanted. Probably torn the image out of the pad and threw it aside onto the pile of images I had stored away until this moment.

Product Designs: Pet Riders (PetSmart)

Few of my designs just arrived in the PetSmart stores for Halloween. These are just a couple of the Pet-Rider designs I have done over the past 5 years.

This is from the PetSmart.com website, showing my Cowboy Rider design that is on sale on for Halloween 

Packaging photo for the Cowboy Rider

We first made this type of pet costume for Target stores in 2009. They sold very well for four years, usually selling out. Since then, I've designed many versions: The Headless Horseman, Horse Jockey, Caveman on Dinosaur, Chef on Lobster and many, many more.

Packaging Photo for the Princess Rider

Below is a sampling of the artwork that is needed to print the faces for the riders.

Artwork for printing faces and details for the Pet Rider costumes' dolls.

Illustration Friday: Skull

Illustration Friday: Every Friday a word is given on the website, IllustrationFriday.com. Artists and illustrators then submit an image that represents that word all during the week.

This week's word: Skull

Pencil and Ink variation of Skull & Crossbones

First: I've been away from this blog for practically the entire summer.
Reason: I've injured my shoulder and have been dealing with a frozen shoulder since early April of this year. It makes drawing very uncomfortable, since it is my right arm - a.k.a. my drawing hand. The feeling is a constant pins and needles ache - and at times it feels like the circulation has been tied off. The past few months it's intensified, so being in a creative state of mind has not come easy for me. Hopefully I can recover soon and get back to submitting more drawings to the blog.
Meanwhile: Above is a altered variation of a Skull design I did some time ago.

Monsters and Bunnies: Sled Ride!

Here's yet another Monsters and Bunnies sketch. This image is a part of my group of 6 images I had been sketching for a long time. I hope to eventually finish them, fully colored . . . then create high quality prints.

A grey scale version of one of a set of 6 images for "Monsters and Bunnies"

This one I thought of because all the other images felt like they were set in a Spring/Summer setting. So I thought it would be good to have a cooler setting and get more blues and cool colors into the set of images.

Illustration Friday: Temptation (Slojo Intro)

Illustration Friday: Every Friday a word is given on the website, IllustrationFriday.com. Artists and illustrators then submit an image that represents that word all during the week.

This week's word: TEMPTATION
Thinking of the word temptation reminded me of an old animate clip i made. Click "Start the Cartoon" below to watch the clip . . . 

This is an old animated clip from 2000, one of my first Flash animations when I was still learning Actionscript coding. It features a sad sack character, Slojo, who used to be a clown. The premise was simple, he's the most unlucky person in the world and generally bad things happen to him for no given reason. Even when he does good things for others, karma is not on his side.

It was important to give Slojo normal, yet clown-like features. I didn't want the character to instantly be recognized as a clown, but looking at him you can see the former clown that is still his persona. 

Even though I wrote several 5 minute cartoon shorts for the character, I never finish animating them. It was a hectic time with the Internet bubble breaking and the company I was working for had to let go of about 85% of my fellow co-workers. 2000 wasn't an inspirational year . . . and then of course by 2001, things became even worse.

Daily Quick Sketch: Baby Hawkman

It's been a busy month between work, festivals and fixing up our home so we can put it up on the market. I've also have a frozen shoulder again, this time the right side, which makes working even harder since I'm right-handed. But finally a breather with this Memorial weekend holiday.
So I want to try to get back into doing a few daily sketches this week.

The sketch below was done for CBC ComicBook Alley which had the theme of Thanagarians this week. Those who grew up reading comics like me, know this to be the people of Hawkman's home world. I thought it would be fun to make a baby version of Hawkman, since his people are a warrior class from birth. (This is also a nod of inspiration to the best "Baby Super Hero" artist/cartoonist out there . . . Scottie Young.)

Quick sketch of Baby Hawkman made using ArtRage Pro pen and water brush settings

Few words about Hawkman. I always liked his character as a hard-headed warrior, a space officer and as a brutally violent avenger. He is one of the few heroes who doesn't consider killing a foe to be wrong. But his history is probably the most messed-up. Hawkman has been revamped and resurrected into so many different versions - it hard to identify him anymore. Even with DC Comics constantly rebooting their comic books, Hawkman's history is still a mixed bag of conflicting origins.

The original pencil sketch of Baby Hawkman

Daily Quick Sketch: It's Over!

Had this sketch laying on my desk for quite some time now. No idea why I would sketch an image of the old cliche "It ain't over till the fat lady sings". Simple no idea why I drew this. 

Sometimes, sketches just happen with no reason at all. Perhaps I overheard someone say the phrase -- or saw a TV commercial that referred to the saying. Either way, I feel it's always nice to simply draw whatever comes to mind. I rarely use reference when sketching, doing this challenges my memory and forces me to think about what I'm creating. It also helps explore and discover new ideas.

Daily pencil sketch . . . Well, I guess that's it!It's over!

I like this sketch, but feel there's much to be improved.
Her shoes should be sandals or something more relative to the era. I like the face, but the body needs to be tweaked. It doesn't balance that well and the overall composition and center of gravity of her girth should be corrected. I think she should be holding a shield too . . .

Curious about the origin phrase itself, I found the saying refers to the Valkyrie Brünnhilde in Wagner's opera, Ring Cycle. She sings an aria that is about 20 minutes long towards the end of the opera - which then ends with the Armageddon of the Norse Gods called Götterdämmerung.

So yeah, I guess that is definitely an end to everything . . .

Illustration Friday: Voyage (Bobby's Biggest Bubble Sketch)

Illustration Friday: Every Friday a word is given on the website, IllustrationFriday.com. Artists and illustrators then submit an image that represents that word all during the week.

This week's word: VOYAGE

Inked and gray marker comp version of a Bobby's Biggest Bubble Kickstarter sketch

Thought Process: Not much thought behind this one. I had already had this image pencil sketched for one of my KickStarter backers for helping me get my children's book published. In all, I had to make about a dozen different full pages sketches of the four main characters from Bobby's Biggest Bubble. 

Pencil sketch of the four main characters from Bobby's Biggest Bubble
This is very close, but a rougher version to the original Kickstarter reward pencil sketch

This turned out to be my favorite of the group and I've been thinking of doing this image as a promotional poster for the next two sequel books.

Another version of the sketch, playing with different subtle changes with textures and details

Doodle: Lyon

Here's another doodle of something I made while trying to think of designs for pet toys.
Again . . . a doodle to me is when I simply sketch without any forethought or plan to what I am drawing. Sometimes the final results surprises even me.

A doodle of a lion made with a #2 pencil

This character looks like I was starting to draw my dog character, Roger, (from my comic strip, "Home of the Brave" and children's book "Bobby's Biggest Bubble".) It definitely has Roger's face -- but then with more doodling, the character turns into a vagabond looking lion.

Why a lion?
Why worn out clothing?
No idea . . .

Doodle: Perched Owl

Another Doodle posting. I had a couple of people write me saying they enjoy seeing the unpolished designs. So I'll probably start adding more Doodles along with the Daily Sketches and Illustrated Friday images I try to post here each week.

This one turned out to be an owl perched on a branch.
Again, my doodles are very sketchy drawings I do without any plan or reason. The pen line just wanders until an image is formed. Generally these are made in several minutes.

I'm posting these on the blog because I have no time to submit finalized colored images this week (due to a heavy workload.) I'll be posting several more to keep the blog updated with new content.

Doodle: Korky

I find sometimes I just start doodling, with no plan or idea what I'm going to draw. It's almost like being in a state of meditation. So what starts as a few scribbles and lines, slowly starts to form into something unexpected. This was the case for this doodle below.

Sketch of my character Korky -- drawn with a ballpoint pen on the back of my 2013 tax forms

I've many doodles laying around, I'm thinking I'll throw a few up on the blog whenever my workload gets too hectic (like this week.) This way, it may not be my best work, but at least there'll be something new on the blog to look at.

Daily Quick Sketch: Thor

Had this sketch laying around for quite some time now. I believe it was initially drawn shortly after we saw the second Thor movie.

Fan Art: Thor in mid-float, colored digitally with Photoshop and ArtRage Pro

I went retro with the costume since it's the Thor costume I grew up seeing. I like the newer look of Thor's chain-mail textured suit seen in today's Marvel comics . . . But the classic Kirby style is the iconic look I prefer drawing. Probably because it is so "comic book."  If you were to wear such bright colors in real life, it would seem quite campy.

The original pencil sketch of classic Thor

While the modern style of superhero costumes tends to be more movie-like with realistic qualities, I feel the characters lose some of their iconic presence.  Every artist seems to take more liberties with how superheroes look today, which is a good and bad thing. (Look at Iron Man, he appears in so many difference suits - what is his traditional iconic look of today?)

Going slightly off topic: An example of comparing when a new costume design works for me and when it doesn't
(Images of Superman are the property of DC Comics)

Another good example is how Superman looked when DC's launch it's reboot with the New 52: Superman wore jeans, a t-shirt, and his cape. It was very enjoyable seeing him look more like an ordinary person. Then, several months later, DC's New 52 decided to make Superman's suit look like armor. He's Superman . . . Why does he need armor? DC's New 52 seemed like they were on the right track . . . But then they did a complete 180 and made his costume worse by adding the metallic armor style.

I'd rather see Superman go through 200 t-shirts and jeans a week, where every fight looks like he was in a battle. I never liked the idea that Superman would come out of a major battle without a single thread of this costume being torn or damaged.

Daily Quick Sketch: Prof. Vormit

UPDATE:
It worked out that this sketch fits perfectly with Illustration Friday's word of the week: REVENGE. So I digitally colored the original sketch and submitted this to the I.F. website.

Illustration Friday: Every Friday a word is given on the website, IllustrationFriday.com. Artists and illustrators then submit an image that represents that word all during the week.

Digitally colored and added a dark background, helps emphasize the glow of the fizzy drink test tube

THOUGHT PROCESS:
Well, immediately, I thought of this character, and how I could use this sketch to emphasize "evil" . . . even though this character would actually be the kindest person on the planet, having just invent a great tasting and healthy fizzle drink for children.

The first version of this image: Digitally colored in Photoshop using various water color and texture brushes
Image felt too flat  . . . needed more depth and darkness

This sketch was inspired by a character concept I thought about for a story.
The idea is simple - create a character who appears to be vile, corrupt and evil -- but make him really be the kindest, most generous and caring person possible. I could see many uses for such a character, mostly for the humor, but also as a children's book character who can teach life lessons about prejudging others.

Original Pencil Sketch: Prof. Vormit excited about creating his great tasting health drink for children

The first thing that came to mind was the image of an evil scientist. It's such a strong stereo type, especially in cartoons. I gave him a hideous beastly face, with a bell-shaped figure and of course the mandatory evil looking goggle glasses. To counter his evil persona: He's always smiling, has lollipops in his lab coat pocket (gives them out to everyone he meets) and he's created the best tasting fizzle water soft drink that's healthy for children.

Once I finished the sketch, his name came to me instantly.
Prof. Vormit (a combination of varmint and vomit. I dropped the second T in his name, it just looks better.)

He's such a nice guy . . . really. . . 

Monsters and Bunnies: First Steps

So for some time now, I've been sketching monsters with bunnies. There something about it that seems interesting to me.  Maybe it seeing the combination of the two "species" together -- how any monster seems to be cuter when in the presence of bunnies. (Go on try it, take the worst monster/killer/evil being and surround it with bunnies. Even if it's covered with blood - the bunnies make it cuter.)

"First Steps" • Part of a 6 image series of monsters with bunnies
This image was inked and colored using RagePro 4

Now, I'm not trying to create grime images, my cartooning style doesn't work like that. Plus, I believe there is a New Mom/Teen/College market for this style of images -- so of course I'm trying to make the monsters very cute even without the bunnies. 
Add those bunnies and the image just ups the cuteness level. 

Original pencils sketch of the baby dinosaur/monster

I plan to make a series of images/prints to sell. It'll take time for me to figure out pricing, material and how to best package. (I may want to soften the artwork and eliminate the black holding line too.)

I'll try to keep this projects's progress up to date here on the blog.

UPDATE:Illustration Friday: Every Friday a word is given on the website, IllustrationFriday.com. Artists and illustrators then submit an image that represents that word all during the week.This week's word: Vanity

Revamped version of "First Step" to "Vanitisaurus" for Illustration Friday's word "Vanity"

For this week's Illustration Friday, I made a variation of the image to work with the word: Vanity.

Daily Quick Sketch: Space Mook (Updated)

This is two versions of a marker sketch of a character I call Space Mook. He's like a cross between an ape and a bear -- sporting a fancy mullet and rocket pack (which is really a guided missile.) He's one of many bounty hunters from my old sci-fi story called "Krem"

Marker sketch of Space Mook: A galactic bounty hunter, from my sci-ci story KREM

Krem was a huge story I worked on over many years. It started when I woke up from a very bad fever and found the Krem character next to my bed. Looking at the drawing, I started to imagine his back story, (which grew and grew over the years.)

Adding a simple background behind the character 

I hope to find more of Krem's supporting characters in my archive boxes of artwork and show them here in the future.

Original pencil sketch of Space Mook

UPDATE:

Forgot I did this, here's the very first rough sketch of Space Mook. So of the shoulder patch logo sketches are included. He he seems mostly ape-like. I do like the retro glass helmet, think I should add that back. 

Funny seeing this now, I feel I want his character to look more like this -- than what I developed over time.
I will revamp him again and in digital coloring (not markers) next time.

The very first rough sketch of Space Mook

Daily Quick Sketch: Sword Fightin'

Been a long time since I posted something here. Work is getting stressful and I'm having a very hard time getting the work done lately. It's probably a combination of burn out and simply doing seasonal concepts over and over again. The market is still in recession, and no one is risking on ordering anything remotely new or different. This makes it hard to do postings here, since my creativity for this type of work usually comes from less stressful times. But enough with my belly aching . . . 

The revamp version of  an old pencil sketch I call "Sword Fighin'!"

This is a revamped version of a very old sketch I did of Timmons, L.B. and Hairy. Back when I worked in New York City, I would often sketch my characters while commuting on the train to/from work. It was a nice way to practice fleshing out and fine tuning my characters.

The original sketch with all it's gritty and fading pencil lines

I hope to one day compile all of the trial and error it took to create Lumpy Bumpy to what he looks like today. (FYI: He's the big alien dinosaur laying down in the background.) L.B. is totally different from then when he was first conceptualized many, many years ago.

I also hope to start posting more images here on the blog again.
I can probably handle posting pencil sketches, but coloring images is too time consuming at this point. Hopefully things will slow down in the upcoming months and most posts here will be back on track.

Daily Quick Sketch: Bunny

Been extremely busy these past two weeks with work. Gearing up now to start designing for Easter. I drew this bunny a few weeks ago, trying to make a simple generic rabbit. 

Inked version of generic bunny sketch

Then, I made the mistake of re-drawing on a sketch pad with markers without testing the paper first. I saw the ink was starting to spread, but thought I could control it. Then the ink kept spreading . . . and spreading . . . until I wound up with this.

Muddy version of a failed attempt to use markers on paper that absorbs ink like a napkin
Arrrggghhh!

So, I went back to coloring this bunny digitally instead. Can''t go wrong with good old digital color. (Actually, I take that back -- you can go wrong with digital, especially if you lose power.)

Simple and clean digital coloring -- ala Photoshop

Daily Quick Sketch: Lil' Lumpy

I've been trying to get my office organized and in doing so - I keep finding old sketches long forgotten. Most are not worth remembering. Many are just scribbles or half drawn characters. But a few are worth bringing back to revamp or update. This image is one of those scribbles that I feel needs more attention.

Lil' Lumpy drawn with digital inking and color pencil crosshatching using ArtRage Pro 4.0.6

Lumpy is one of my oldest children's book characters from a story over 15 years ago. The story's characters were fleshed out over years of redrawing and tweaking. Today, Lumpy looks totally different then what I had originally created so many years ago. I think what happens is subconscious editing, where the focus on what works is emphasized; while eliminating or changing the parts of a character that don't work.

Lumpy's story is part of a 10 book series I plotted out years ago.
I always felt that the story's characters would do very well with the children's book market. But for me to create the series, I would need a good publishing house to support it. I always felt I needed to do other stories first before bringing this character up to the plate . . .

The original rough pencil sketch of Lil' Lumpy recently found among a stack of papers

At least, that was my thinking for last decade and a half. Now publishing has changed drastically. Publishing a book is now the "easy" part - it's the marketing that will exhaust a new writer.

I've not found the answer to getting noticed yet. It's still a mystery why some succeed -- while others fumble. Perhaps it's all about who you know. Or it's just luck. Either way, I'm looking forward to seeing if I can finally discover the answer.

Illustration Friday: SPACE

Illustration Friday: Every Friday a word is given on the website, IllustrationFriday.com. Artists and illustrators then submit an image that represents that word all during the week.

This week's word: SPACE

SPOILER ALERT: The big climatic ending to my first children's book: Bobby's Biggest Bubble

Thought Process:

A no-brainer this week.

Space makes me think of the space scene I drew for the climatic ending of my first children's book: Bobby's Biggest Bubble. Of all the terrific comments and kind emails I have received about the book -- this 2-page spread was usually the fan favorite, especially for boys.

I like to think it's the coloring that made this page "pop" . . .
Knowing the amount of pink bubblegum coloring the pages would have, I boosted the night sky's blues and even made the meteor a brighter blue to counter the pink; balancing the warm coloring on the left with the cool coloring on the right. 

This page was the greatest challenge I had when making the book. It was the part of the story I worried about the most. Even though this 2-page spread was near the end of the book, other then the cover, it was the first page I completed with full color.
Once I had this part of the story behind me, the rest of the book fell into place.

You can see more about this comic strip at this link here and more recently here.